2026
Arena concert
6 cameras · live to two platforms
On air from Oslo
More cameras.
One story.
fler is Norwegian for more. We bring up to eight matched cine angles, cut them live in front of an audience, and hand over clean masters before the room has emptied.
REC00:00:00:002160p · 50p · 10-bit
ConcertsConferencesProduct launchesTown hallsPanel talksSportChurch servicesAward showsEsportsTheatreConcertsConferencesProduct launchesTown hallsPanel talksSportChurch servicesAward showsEsportsTheatre
01What we do
Built for rooms that only happen once.
No second take, no reset. Everything below is scoped so the show can survive a dropped feed, a dead battery or a speaker who runs forty minutes long.
01↗
Multicamera production
Two to eight cine bodies, matched on colour and framerate, genlocked and timecoded so the edit lines up on the first try.
2–8 anglesGenlock + TCMatched grade
02↗
Live streaming
Bonded 5G and hardwired uplink running side by side with automatic failover. One destination or twelve.
Bonded uplinkFailoverMulti-destination
03↗
Hybrid events
One rig feeding the room and the stream at once — IMAG to the screens, a clean programme to the world.
IMAGPresenter feedsComms
04↗
Concert & performance
Long glass, fast primes and operators who know the songs. Built for stage light, not for boardrooms.
Low lightLong lensSync sound
05↗
Conference & town hall
Slides, speakers and Q&A cut cleanly, with a recording that is ready to publish the same afternoon.
Slide captureQ&ASame-day file
06↗
Studio & remote guests
A controlled room in Oslo with remote contributors brought in at broadcast quality, not video-call quality.
Remote guestsStudioReturn feed
02How it runs
Four moves, and none of them are improvised.
01
Recce
We walk the room before we quote it. Sightlines, power, rigging points, ceiling height, and a real uplink test from the exact spot the encoder will sit.
- Site visit
- Included
- Uplink test
- On location
02
Rig
Bodies matched on colour and framerate, genlocked, timecode-jammed. Comms on every position. Every camera records internally while it feeds the switcher — the backup is the primary.
- Genlock + TC
- All angles
- Local record
- Always on
03
Cut
A vision engineer cuts the show as it happens, with the director on comms. Tally tells the operators who is hot. Two uplinks stay live, and the failover is automatic rather than heroic.
- Uplinks
- 2 carriers
- Failover
- Automatic
04
Deliver
The stream ends and the programme master is already on a drive. ISO files from every angle come with it, synced and labelled, ready for whoever edits next.
- Programme master
- Same day
- ISO angles
- Synced
SURVEY01 / 04
PGM
03The rig
Boring equipment, on purpose.
Nothing here is exotic. It is the gear that keeps working when the venue's power dips and the wifi collapses under two thousand phones.
8
cameras on one switch
2
independent uplinks
12
simultaneous destinations
0
single points of failure
Cameras
- Cinema-line bodies, matched sensors
- Super 35 & full frame
- 4K 50p 10-bit 4:2:2
- Internal + external record
Glass
- Fast primes 24–85mm
- Parfocal zooms to 200mm
- Long lens for stage
- Matched colour science
Vision
- Multi-input production switcher
- Multiviewer + tally
- Frame sync on every input
- Downstream keys for graphics
Transmission
- Bonded cellular encoder
- Hardwired backup path
- Automatic failover
- Simultaneous destinations
Audio
- Digital mixer + wireless
- House desk integration
- Redundant recorder
- Monitoring on air
Crew comms
- Full-duplex intercom
- Director + vision positions
- Camera talkback
- Runner channel
04Selected work
Shot in Oslo, watched everywhere.
↗
2026
Product launch
4 cameras · IMAG + stream
2025
Conference keynote
5 cameras · slide capture
2025
Studio interview
3 cameras · remote guest
05Pricing
Price it yourself, before you call.
Move the sliders and watch the number. These are the real day rates we quote from — no hidden line items, no 'contact us for pricing'.
Cameras4 angles on one switch
04
12345678
Crew
Shooting timeFull day
Days on siteDay two onwards is discounted
1day
Live stream
Simultaneous destinations
1
Recording
Audio
Intercom
LocationTravel included
Notice
Indicative total
84 700NOK
4 cameras · 8 h · 1 day · live
- Production basePrep, rig, load-in and transport in Oslo9 500
- 4 camera rigsCine body, glass, support, media, power18 000
- 4 camera operatorsOne operator on every angle27 600
- Vision mixSwitcher, multiviewer, conversion8 500
- Vision engineerCuts the show live7 500
- Stream coreEncoder, bonded uplink, monitoring6 500
- ISO recordingClean files from every angle2 200
- Audio, two channelsHouse desk feed or a stereo pair2 800
- IntercomFull-duplex comms for the whole crew2 100
Post is not in this number
Edit, colour, sound mix, graphics and versioning are scoped per project — a three-minute recap and a full multicam concert film are not the same job. Tell us what you need afterwards and we agree that part separately.
Indicative only, excluding MVA. Final quote is confirmed after a look at the venue, the running order and the delivery you need.
06Questions
The ones we get asked most.
Two covers a talking head with a cutaway. Four is the sweet spot for a conference or a panel — wide, two mediums and a roaming angle. Six and up is concert territory, where you want long lens on the stage and something moving. If you are unsure, start at four in the calculator and we will tell you honestly if it is more than the room needs.
It usually does. We never rely on house wifi: the encoder runs bonded cellular across multiple carriers, with a hardwired path as a second leg where one exists. Failover is automatic, and every camera is recording internally the whole time, so even a total transmission loss still leaves you with the full show on cards.
Yes. One programme feed can go to YouTube, LinkedIn, Facebook, Vimeo, a Teams or Zoom bridge, an internal CDN and the screens in the room simultaneously. Add destinations in the calculator — each one is a small addition on the day.
With ISO recording enabled you get a clean file from every angle, synced by timecode and labelled, alongside the live programme master. Whoever edits later gets a project that assembles itself.
Because it is the part that varies most. A same-day social cut, a sponsor-ready recap and a feature-length concert film share almost nothing in scope. We price the capture transparently and agree the edit separately, once we know what you actually want out the other end.
Regularly. Anywhere in Eastern Norway is a day trip and priced as such in the calculator. Further afield we quote travel, freight and accommodation per project — send the dates and we will come back with a number.
Next
Tell us what is happening.
Date, venue and roughly what the room looks like is enough to start. You get a real answer from the person who will be running the switch, usually the same day.
Based in
Oslo, Norway
Reply time
Same working day
Coverage
Nationwide, on request